Category Archives: Comics
Iron Man Now Has Something More in Common with Black Sabbath
As everybody knows, black is the coolest, most badass of the colors. So maybe that’s why Iron Man is ditching his traditional red and gold armor in favor of a new black and gold variant this fall as part of his Marvel NOW! relaunch. Because why not take this opportunity to make him look different from the multi-million dollar movie version?
Marvel Comics is finally rolling out information about their new comic initiative, or at least more than they have in the past. I skipped over a few creative team announcements last week because I just never got around to it. Now that we have some pretty covers to look at, I’m all over this. Hopefully we’ll see some more this week.
The new Iron Man will be written by Kieron Gillen, with art by Greg Land. Despite a lot of dislike on the Internet, I’m a fan of Greg Land’s work, and I have no problem with the tracing he often gets picked on about. I think that will work well in the world of Tony Stark. I’m less familiar with Gillen’s work, having only really read his Uncanny X-Men stuff, and then not really being able to tell the different between his X-Men work and everybody else’s X-Men work. But I’m sure Gillen is up for the task.
They are replacing a stellar run on Iron Man by Matt Fraction and Salvador Larocca, which started just after the first Iron Man movie, and has been kicking total ass. I’ve been a big fan of that series, so maybe, just maybe, I’ll be willing to give Gillen’s a try this fall. I usually buy my comics based on the character, and I’ve never particularly cared for Iron Man. I bought Fraction’s comic on a lark, and just happened to like that lark enough to stick around. So it’s also possible I may just not pick up Gillen’s version.
You can click here for an interview he gave Marvel.com about what his series is going to feature.
The symbolism that I bring immediately into the book [is] a lot like the Arthurian concept of the grail-knight: the idea that Tony Stark is the grail-knight, or at least aspiring to be the grail-knight. When we meet him he’s left Resilient and he’s digging into what’s going on. Pepper has a line in the first issue saying, “Oh, you’re not having a midlife crisis are you? Just buy yourself a suit of armor.” That’s where we start and he begins to ask questions.
The story will focus on him questioning things about himself and trying to find out exactly how the universe ticks, what’s this all about and why he does this anyway. It’s going to be one of the major themes of the book going forward. It’s actually a key part of my second theme. I’m going to explore Tony and his relationship with women. I’m interested in Tony’s selection of women in everything, from his mom, to Pepper, to the random people he’s sleeping with and everything that relates to them. He’s a complicated guy and he does bad things occasionally without thinking. Well, not [without] thinking exactly but he’s not always thinking about the right thing. He’s not the distracted genius but he always has something else going on.
Gillen also says his opening arc will feature a few stand alone stories as he spreads his wings with Iron Man.
The first five issues will be single stories that will share [both] a defining motif and a plot but it will be Iron Man facing new instances of technology and each is basically a new villain. Each issue will illuminate something about Tony and they’re all very different. Issue two is a lot like the Bruce Lee Kung-Fu Island story; it’s like a joust, it’s all about the knight imagery, essentially going to a tournament. Issue three is like a ninja story, Tony Stark trying to be a full-on stealth master, issue four is a horror story and issue five is something a little more romantic and scientific but I’m going to keep that one under wraps.
I really want to mix it up with single issue stories because I think that quite a few people are feeling the same way. Single issues are an exciting place to go and anyone can jump on with any of the first five issues, not just issue #1. [In] each of those issues I introduce Iron Man; I say something meaningful about a character that you may know already and I want it to be accessible and to pop. That’s the thing with Greg Land: his photorealistic style really pops and it’s a glamorous book in that way.
So yeah, maybe that kind of stuff interests you. We’ll find out this fall.
I just think it’s a silly idea to have him wearing black armor, especially considering he has a big new movie coming out next year. Is this going to be the case where Iron Man is in the black armor just long enough to have a big “Return of the red armor” comic in time for the movie? Because that reeks of editorial insanity.
Not that black armor is without precedent. In Matt Fraction’s current storyline, Tony Stark has given up on being Iron Man, but it’s all part of a big plan to defeat the Mandarin. In his place, James Rhodes is posing as a new Iron Man who is supposed to be unaffiliated with Stark. It helps that everybody thinks Rhody is dead. And this new Rhody-controlled Iron Man has a black armor…but it’s not the same black armor that we see in this new Iron Man #1 cover. So why does Tony start wearing a new version of Rhody’s black armor when he returns to being Iron Man? Is there a reason for not going back to red?
Maybe I’ll have to pick up the new #1 to find out…
Review: Ultimate Comics: All-New Spider-Man #13
The dreaded crossover has come to Ultimate Spider-Man, and the issue is worse off for it. Fortunately, writer Brian Michael Bendis does his best to shrug through this inane ‘Divided We Fall’ storyline so that he can keep telling the Miles Morales story he wants to tell. Seriously though, Bendis has had to deal with so much editorial bunk on this title. They force him to kill off Ultimate Peter Parker, and now barely a year into his new series, they force him to play along with the craziness of the rest of the Ultimate Universe. It’s a sad shame.
But like I said, Bendis mostly just offers a little lip service to Divided We Fall. He focuses much more on Miles than on the larger universe stuff, though a few odd story choices keep this issue from being too stellar.
And the random Batroc the Leaper cameo doesn’t help – though it also doesn’t hurt.
Comic rating: 4/5: Good.
Quite honestly, the Divided We Fall storyline is completely at odds with the Ultimate Spider-Man storyline. So much so that there is at least one scene where the characters literally point out the silliness of trying to tell this serious Spider-Man story alongside the larger Ultimate Universe crossover. The two just clash, and awkwardly at that. So it makes for a stunted issue of Ultimate Spider-Man. When we focus on the non-Divided We Fall stuff, the story is OK. Miles is once again going through all manner of inner crisis as he once again balances being Spider-Man with living his life, and that always makes for good storytelling.
Unfortunately, the best stuff, a meeting between Miles and Aunt May, appears to be being saved for next issue. Instead, Bendis pads out this tale with yet another fight with a silly super-villain. Batroc is the same as Omega Red and the Ringer, just a silly bad guy for Spidey to pummel and take up page space. It’s kind of odd that Bendis has gone back to this well so often…
Anyway, join me after the jump for a full synopsis and more review!
Review: X-Factor #241
The action in X-Factor is knocked up a notch with this issue, which kicks off the new Breaking Points storyline. Marvel Comics is rocketing towards their new Marvel NOW! relaunch this fall, and even though X-Factor is going to be relatively untouched, writer Peter David appears to want to use this as a chance to streamline his title. I’m grateful for that. I’ve long complained about too many cast members. David has also had several long running storylines that he’s going to wrap up as well. Basically it seems like Breaking Points is going to be a big wrap up of the past year or so of stories.
So it’s a good thing that the first part of the story is an entertaining comic, with some great moments and some fun characterization. All those filler stories are in the past, now we’re back to the good stuff!
Comic rating: 4/5: Good!
I’d complained in some of the most recent reviews that PAD seemed to have lost his touch when it came to his usually clever and fun characters. I think the problem was that he really was just spinning his wheels until he could get to this storyline. I had no idea what he has planned for Marvel NOW!, but this is the story that’s going to get us there. And like I said, it’s a good read. PAD expertly juggles his extended cast, mixing both superhero fun and down-to-Earth normal interactions, which I love. When the cast shrinks in the fall, hopefully he’ll have it even easier.
The true appeal of X-Factor has always been that these characters are people first and superheroes second. Sure they’ll fight the bad guys and save the day, but they’ll also get on each others nerves, bicker, bust chops and basically act like human beings. We get a really good taste of that in this issue.
So join me after the jump for a full synopsis and more review!
Review: Avengers vs. X-Men #9
Avengers vs. X-Men slows down to once again get inside its characters’ heads, and I am grateful for that. The series is also much better for it. We get a good look into the mindsets of all the remaining PhoeniX-Men, and it’s definitely not as frustrating as last issue. They actually come out and acknowledge that the dark influence of the Phoenix is effecting their minds, instead of just everybody assuming that they’re bad guys despite all the good they’re doing. We also get some quality character moments for some of the supporting characters, like Storm and Spider-Man.
Because all the best Marvel stories come down to Spider-Man. Though I will say that he feels totally out of place in a story like this.
Comic rating: 4/5: Good!
If you remember my review of last issue, I was apoplectic about Avengers vs. X-Men. The story has been frustrating the hell out of me, with the X-Men being painted as monsters when the comic has done little to actually show them being monsters. The PhoeniX-Men have been ending hunger, stopping earthquakes, halting war and all other manner of great things. But everybody reacts to them as demonic evil that needs to be killed. It annoyed me to no end. So with this issue, the series finally underlines the idea that the Phoenix Force is influencing them to be evil. Not straight up evil, and they’re all kind of aware that it’s happening, but at least it nicely, finally defines the PhoeniX-Men as proper antagonists. I understand them now.
And I really like it. I’ll reveal more in the full review after the jump, but this issue really nails down exactly what the conflict has become and where it might be going. The PhoeniX-Men make another evolution, one I am eager to read. The Avengers are a little stale this issue, but at least they’re not the hosebags they’ve been for the past couple issues.
Join me after the jump as I reveal how Avengers vs. X-Men is back in my good graces!




