Category Archives: Comics

Somewhere a Marvel Marketing Exec is Giggling

I told you guys yesterday about the new Iron Man series, well now it’s Thor’s turn, complete with cover image and interview with writer Jason Aaron. Why is someone in Marvel marketing giggling? Because they’ve been drip feeding us these reveals over the past two weeks.

So that’s Thor: God of Thunder #1, written by Jason Aaron (who knows I exist) and drawn by Esad Ribic. You can read their full interview here, if you’re interested. Personally, I’m not a big fan of Thor, so I doubt I’ll be picking up this new series. I just feel like telling you guys all about this stuff in case you’re interested.

And because I’m now finding it all very giggly.

Marvel has this big Marvel NOW! initiative coming out in the fall. It’s nothing too fancy. Basically they’re just putting out a bunch of new #1 issues, with some new creative teams on the popular characters. They do this every couple of years, but each time they want to make it sound super fancy so that people will buy it. That’s fine. People gotta buy comics. But now Marvel marketing has the task of letting everybody know about the new series coming out. How do they do that? By flooding the comic news sites day after day after day.

Every day last week, Marvel released a little teaser image that gave a hint about the new series as well as the new creative team. They looked like this:

Why yes, I am very worthy, thank you

And every major comic book news site – except for me – put those banners on their front page. They were also able to figure out what comic it would be. Worthy = Thor. And Marvel released one a day until Friday, where it just dumped the remaining four.

Flash forward to this week, and it seems that Marvel is once again releasing this stuff one day at a time. Yesterday was Iron Man, today is Thor, and tomorrow will probably be Deadpool.

So I’m just picturing some Marvel marketing exec who decided that rather than reveal all the comics in one big announcement, they’d instead drip them out one day at a time, thereby ensuring they would have major placement on all the news sites each day. That guy is probably giggling and slapping himself on the back. He may even ask for a raise. There isn’t really a point I’m trying to make, I just think that guy is silly.

And yes, I recognize the irony of posting this stuff every day it comes out. No need to point that out.

Iron Man Now Has Something More in Common with Black Sabbath

As everybody knows, black is the coolest, most badass of the colors. So maybe that’s why Iron Man is ditching his traditional red and gold armor in favor of a new black and gold variant this fall as part of his Marvel NOW! relaunch. Because why not take this opportunity to make him look different from the multi-million dollar movie version?

Title on the bottom? You’re crazy, Marvel Comics!

Marvel Comics is finally rolling out information about their new comic initiative, or at least more than they have in the past. I skipped over a few creative team announcements last week because I just never got around to it. Now that we have some pretty covers to look at, I’m all over this. Hopefully we’ll see some more this week.

The new Iron Man will be written by Kieron Gillen, with art by Greg Land. Despite a lot of dislike on the Internet, I’m a fan of Greg Land’s work, and I have no problem with the tracing he often gets picked on about. I think that will work well in the world of Tony Stark. I’m less familiar with Gillen’s work, having only really read his Uncanny X-Men stuff, and then not really being able to tell the different between his X-Men work and everybody else’s X-Men work. But I’m sure Gillen is up for the task.

They are replacing a stellar run on Iron Man by Matt Fraction and Salvador Larocca, which started just after the first Iron Man movie, and has been kicking total ass. I’ve been a big fan of that series, so maybe, just maybe, I’ll be willing to give Gillen’s a try this fall. I usually buy my comics based on the character, and I’ve never particularly cared for Iron Man. I bought Fraction’s comic on a lark, and just happened to like that lark enough to stick around. So it’s also possible I may just not pick up Gillen’s version.

You can click here for an interview he gave Marvel.com about what his series is going to feature.

The symbolism that I bring immediately into the book [is] a lot like the Arthurian concept of the grail-knight: the idea that Tony Stark is the grail-knight, or at least aspiring to be the grail-knight. When we meet him he’s left Resilient and he’s digging into what’s going on. Pepper has a line in the first issue saying, “Oh, you’re not having a midlife crisis are you? Just buy yourself a suit of armor.” That’s where we start and he begins to ask questions.

The story will focus on him questioning things about himself and trying to find out exactly how the universe ticks, what’s this all about and why he does this anyway. It’s going to be one of the major themes of the book going forward. It’s actually a key part of my second theme. I’m going to explore Tony and his relationship with women. I’m interested in Tony’s selection of women in everything, from his mom, to Pepper, to the random people he’s sleeping with and everything that relates to them. He’s a complicated guy and he does bad things occasionally without thinking. Well, not [without] thinking exactly but he’s not always thinking about the right thing. He’s not the distracted genius but he always has something else going on.

Gillen also says his opening arc will feature a few stand alone stories as he spreads his wings with Iron Man.

The first five issues will be single stories that will share [both] a defining motif and a plot but it will be Iron Man facing new instances of technology and each is basically a new villain. Each issue will illuminate something about Tony and they’re all very different. Issue two is a lot like the Bruce Lee Kung-Fu Island story; it’s like a joust, it’s all about the knight imagery, essentially going to a tournament. Issue three is like a ninja story, Tony Stark trying to be a full-on stealth master, issue four is a horror story and issue five is something a little more romantic and scientific but I’m going to keep that one under wraps.

I really want to mix it up with single issue stories because I think that quite a few people are feeling the same way. Single issues are an exciting place to go and anyone can jump on with any of the first five issues, not just issue #1. [In] each of those issues I introduce Iron Man; I say something meaningful about a character that you may know already and I want it to be accessible and to pop. That’s the thing with Greg Land: his photorealistic style really pops and it’s a glamorous book in that way.

So yeah, maybe that kind of stuff interests you. We’ll find out this fall.

I just think it’s a silly idea to have him wearing black armor, especially considering he has a big new movie coming out next year. Is this going to be the case where Iron Man is in the black armor just long enough to have a big “Return of the red armor” comic in time for the movie? Because that reeks of editorial insanity.

Not that black armor is without precedent. In Matt Fraction’s current storyline, Tony Stark has given up on being Iron Man, but it’s all part of a big plan to defeat the Mandarin. In his place, James Rhodes is posing as a new Iron Man who is supposed to be unaffiliated with Stark. It helps that everybody thinks Rhody is dead. And this new Rhody-controlled Iron Man has a black armor…but it’s not the same black armor that we see in this new Iron Man #1 cover. So why does Tony start wearing a new version of Rhody’s black armor when he returns to being Iron Man? Is there a reason for not going back to red?

Maybe I’ll have to pick up the new #1 to find out…

Review: Ultimate Comics: All-New Spider-Man #13

The dreaded crossover has come to Ultimate Spider-Man, and the issue is worse off for it. Fortunately, writer Brian Michael Bendis does his best to shrug through this inane ‘Divided We Fall’ storyline so that he can keep telling the Miles Morales story he wants to tell. Seriously though, Bendis has had to deal with so much editorial bunk on this title. They force him to kill off Ultimate Peter Parker, and now barely a year into his new series, they force him to play along with the craziness of the rest of the Ultimate Universe. It’s a sad shame.

Ultimate Spider-Man #13

But like I said, Bendis mostly just offers a little lip service to Divided We Fall. He focuses much more on Miles than on the larger universe stuff, though a few odd story choices keep this issue from being too stellar.

And the random Batroc the Leaper cameo doesn’t help – though it also doesn’t hurt.

Comic rating: 4/5: Good.

Quite honestly, the Divided We Fall storyline is completely at odds with the Ultimate Spider-Man storyline. So much so that there is at least one scene where the characters literally point out the silliness of trying to tell this serious Spider-Man story alongside the larger Ultimate Universe crossover. The two just clash, and awkwardly at that. So it makes for a stunted issue of Ultimate Spider-Man. When we focus on the non-Divided We Fall stuff, the story is OK. Miles is once again going through all manner of inner crisis as he once again balances being Spider-Man with living his life, and that always makes for good storytelling.

Unfortunately, the best stuff, a meeting between Miles and Aunt May, appears to be being saved for next issue. Instead, Bendis pads out this tale with yet another fight with a silly super-villain. Batroc is the same as Omega Red and the Ringer, just a silly bad guy for Spidey to pummel and take up page space. It’s kind of odd that Bendis has gone back to this well so often…

Anyway, join me after the jump for a full synopsis and more review!

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Review: X-Factor #241

The action in X-Factor is knocked up a notch with this issue, which kicks off the new Breaking Points storyline. Marvel Comics is rocketing towards their new Marvel NOW! relaunch this fall, and even though X-Factor is going to be relatively untouched, writer Peter David appears to want to use this as a chance to streamline his title. I’m grateful for that. I’ve long complained about too many cast members. David has also had several long running storylines that he’s going to wrap up as well. Basically it seems like Breaking Points is going to be a big wrap up of the past year or so of stories.

X-Factor #241

So it’s a good thing that the first part of the story is an entertaining comic, with some great moments and some fun characterization. All those filler stories are in the past, now we’re back to the good stuff!

Comic rating: 4/5: Good!

I’d complained in some of the most recent reviews that PAD seemed to have lost his touch when it came to his usually clever and fun characters. I think the problem was that he really was just spinning his wheels until he could get to this storyline. I had no idea what he has planned for Marvel NOW!, but this is the story that’s going to get us there. And like I said, it’s a good read. PAD expertly juggles his extended cast, mixing both superhero fun and down-to-Earth normal interactions, which I love. When the cast shrinks in the fall, hopefully he’ll have it even easier.

The true appeal of X-Factor has always been that these characters are people first and superheroes second. Sure they’ll fight the bad guys and save the day, but they’ll also get on each others nerves, bicker, bust chops and basically act like human beings. We get a really good taste of that in this issue.

So join me after the jump for a full synopsis and more review!

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Xavier and Magneto cover Wicked’s “Defying Gravity”

From http://www.Davidmay.net, this disturbing masterpiece (disturpiece?) takes clips from the X-Men cartoon with new voiceovers, with Xavier and Magneto singing Wicked’s Broadway song, “Defying Gravity.”