Review: Saga: Volume 1
I’ve gotten a request from an old friend of mine to review something other than superhero comics, and I’m going to take him up on that request because I would like to expand the reach of my blog. Unfortunately, the only non-superhero comic I’m reading these days is Saga by writer Brian K. Vaughn and artist Fiona Staples. This is unfortunate because I would like to read more independent work, but it’s fortunate because Saga is probably the No. 1 most high-profile, independent, non-superhero comic on the stands today. A lot of comic book fans are reading Saga, and I think that makes it the perfect addition to my review cycle. I’ve decided to review the first six issues in one fell swoop – seeing as how they make up Volune 1 – and then pick up from here on out issue-by-issue.
Saga: Volume 1
Saga is a strange and heartfelt story about a young couple trying to raise their newborn daughter in the middle of a war. But it just so happens that it takes place in outer space and everybody is some kind of freaky alien. On top of that, it seems like Vaughn and Staples are trying to be as insanely weird as possible, sometimes sacrificing story for weirdness.
Comic rating: 4/5: Good.
There is no denying that Saga is, so far, a very well-written and well-drawn comic. Vaughn and Staples are two professionals at the top of their game, and that shows on every page. It’s the story and the progress that I find at least slightly lacking. After six issues, our two main characters, Alana and Marko, seem to be spinning their wheels as they bounce from one threat or danger to the next. Even though we’re told that they’re on the move, the setting still remains “vague alien wilderness”. They have fought off a new threat or evil menace in every single issue, and none of their opponents have stuck around long enough to make any kind of lasting impact.
It’s like Vaughn thinks we have no attention span and he must fill his book with as much new action as possible. The main characters are in a near constant state of panic from all this action. But I would prefer him to slow down and take time to smell the roses of this universe he is trying to build. As a result, I don’t feel as connected with this world and these characters as I would like to be. I’ve seen my fair share of weird alien worlds in fiction, but Vaughn’s is particularly strange, and yet he’s not giving us much of an opportunity to get to know everything he’s created.
That’s not to say Saga is too out of control. Underneath all of this action and weird excitement, Vaughn and Staples are creating something rather beautiful. I just wish they’d let that part shine more than the constant need for action.
Join me after the jump as I introduce you to the characters and run down the story so far.
The Hobbit: The Secret Quests
How is Peter Jackson going to stretch The Hobbit into three movies? This is how!
Brought to us by Barely Political.
Review: X-Factor #242
The deck clearing continues in X-Factor #242, as writer Peter David removes a few characters, settles several dangling plotlines and offers at least one little hint about future strangeness. It’s an entertaining issue, with more than a couple funny lines, but you’d be hard pressed to find a more by-the-numbers issue. I don’t mean that to be cruel, but look no further than the fact that this issue stars Darwin of all characters to see just how unimportant and workmanlike this is in the grand scheme of things.
X-Factor #242
Darwin is the red-headed step child of the X-Men franchise. And being rechristened as a demon-hunter is either the most brilliant or the stupidest choice possible for the character.
Comic rating: 4/5: Good.
Like I said, it’s a good issue. The story is solid, the characters are themselves and it’s funny in places. The art by Leonard Kirk is also great, as usual. It’s just the fact that PAD is taking care of business is evident on every page. He’s got some plans for the new Marvel NOW! relaunch, which involves a smaller cast for X-Factor and new stories. So this issue, and this Breaking Points storyline, are all about removing characters as safely and calmly as possible. He’s also tying up dangling plot threads that I don’t think anybody particularly cares about anymore, and he’s doing it as quickly and as cleanly as he can.
For longtime X-Factor fans like me, it’s a fine enough issue. No major complaints. Other than that, it’s not much of anything. Unless you’re a huge Darwin fan. Or are excited to see Wolfsbane as a mom.
Join me after the jump for a full synopsis and more review!
