Wolverine the Puppet Musical May Be the Greatest Thing Ever Made

I am no stranger to hyperbole, so believe me when I tell you that this video is probably the greatest thing the Internet has ever produced.

A chorus of Multiple Men? Seriously!? Was this video made specifically for me? Did some just and loving god look down from the heavens and imbue Glove and Boots to be the bearer of His good word? The songs are well-written, the puppetry is beyond amazing, and they used Multiple Man, people! Multiple Man! I wish I could blog this a hundred times over. It’s…I should hire a poet.

If The Wolverine movie is even half as good as this puppet musical, then this is a world worth living in.

Sentinel Head!

X-Men: Days of Future Past is on full display at Comic-Con International, including the first look at the movie’s Sentinels! Now, Sentinels were on my list of things I want to see in the movie, so I hope that means someone at Fox – perhaps even Bryan Singer himself – is reading my blog. Because that would be awesome. But even if they’re not, you can all enjoy this first look at movie Sentinels after the jump. Just in case anybody is trying to avoid spoilers, I’m gonna hide the pics for now.

Or you can click here and check out some other cool promotional materials.

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Best Small Council Meeting Ever

I like to think I have a refined sense of humor. Which is why I thought today’s video was drop-to-the-floor hilarious! It’s a Game of Thrones small council meeting edited to remove all of the dialogue. It’s the most awkward small council meeting ever!

There’s no real way to explain why the above scene is so funny. You either laugh or you don’t, and that’s where we draw the line on senses of humor. Made by Tower of the Hand.

For Your Viewing Pleasure: Electro!

San Diego Comic-Con (Or is it Comic-Con International?) has surprised us again with a short, sweet little teaser for the new Electro from Amazing Spider-Man 2. It’s not much, but it’s still neat.

It’s not that great of a look at him, but it’s still something. And knowing Comic-Con, I doubt the actual footage from the presentation will make it online in any quality fashion. I’m still waiting on a quality version of that Ant-Man teaser reel from a few years ago. So for now, just enjoy this tiny little tease of a villain. I’m still think Electro looks good.

Review: X-Factor #259

Hey continuity fans, this issue is for you! Did you ever wonder what happened to Dazzler’s baby from that one brief mention of it’s fate back in 2001? What about the secret history of Longshot and Shatterstar? Are you a scholar of X-Men history so deep and obscure that you’ve been waiting decades for your answers? Peter David and X-Factor have you covered in the latest issue of The End of X-Factor! And it’s mostly good, but also mostly just a quick attempt for PAD to write off a story idea he had in one issue.

X-Factor #259

On the one hand, The End of X-Factor is about tying off each individual character with a bow. On the other hand, like with this issue, PAD might be cramming every story idea he had left into single, one-off issues.

Comic Rating: 6/10 – Pretty Good.

I’m just not a big fan of Rictor, Shatterstar or Longshot, so maybe the true strength of this issue was lost on me. PAD has been hinting at some sort of connection between the two similar heroes for a while now, and I can definitely say I didn’t see this exact twist coming, but it’s still similar to what I expected. It also only comes up in the last third of the book, which turns into a huge info-dump as PAD just lets it all out. I got the feeling that he had planned something bigger and better for the big reveal, but the comic’s cancellation saw to the end of those plans.

The rest of the issue is fine. It’s mostly about Rictor, and it’s so utterly random. After the events of Hell on Earth War, Rictor wound up in the Mojoverse, of all places. That part doesn’t make much sense, but again, this issue is all about tying off the Longshot/Shatterstar story. PAD does a fine job with it, and might actually appease a few continuity buffs in the audience.

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