Category Archives: Reviews
Review: Teen Titans #21
Teen Titans should be a comic about teamwork and camaraderie. It should be built on a foundation of strong characters who actively want to spend time with one another because they are legitimately friends. They’re not the Justice League or the Avengers. The Teen Titans are not Earth’s greatest heroes, joined together to fight the threats that one hero alone cannot handle. They’re teenagers, and they just want to hang out and be friends. That they also use their powers to save the world should just be icing on the cake.
This is why I hate the current Teen Titans comic so much.
Comic Rating: 3/5 – Alright.
I say this all the time: I like comics where the characters are people first, superheroes second. In Scott Lobdell’s Teen Titans, they are only superheroes, randomly grouped together because that was the decided cast list of this series. There is nothing deeper or meaningful about the team. They’re friends because we’re told they’re friends. They’re a team because we’re told they’re a team. Their friendships and relationships are barely skin deep. Lobdell and his fellow writers are far more interested in writing generic superhero stories than they are in character interaction. We’re 21 issues into this series, and I don’t think any of the characters have dealt with anything all that emotional or personally important. There’s been no drama. There’s been very little done with any romantic relationships or personal friendships. Nothing memorable has happened at all.
The current Teen Titans is a concept-driven comic. DC knew they wanted a ‘Teen Titans’ book in their reboot, so Lobdell slapped one together. He picked a bunch of characters, created a few new ones, and then has just been kind of coasting from one issue to the next. The threat that pulled them all together in the first place – N.O.W.H.E.R.E. – was a dud, and is now long gone. Since then, he hasn’t touched upon any reason why the team should stay together, or why they even want to do so. They stay together because that’s the comic. If they didn’t stay together, there wouldn’t be a series. And it’s frustrating, because so much more could be done. I want to read stories about these essentially orphaned teenagers actually expressing what they get out of the Teen Titans and why they stick around. I want to see some real friendships blossom, or better yet, some real relationships and the drama that comes with those. I want to see these kids understand their place in the DC Universe. How do they see themselves compared to the Justice League? Why are they superheroes? Sure they have powers, but what is it that drives them to dress up in costume and throw themselves at dangerous situations?
These are all plot points that I think could make for a great Teen Titans comic, but we don’t get any of that. Instead, in this issue, the Teen Titans fight Trigon’s three sons in a generic, mildly entertaining superhero slugfest. It’s just mindless, mostly boring superhero fights. Not only that, but still the Titans treat Raven like she’s been their friend since the beginning. I must have missed a scene where Raven even went so far as to introduce herself to them. But this is how weak the camaraderie is: Raven and Beast Boy pretty much just glom onto the Titans and are treated like total members just because that’s what the plot has dictated. It’s maddening.
Review: Ultimate Comics: All-New Spider-Man #24
Prepare to get hit right in the feels, people. Writer Brian Michael Bendis introduces us to Cloak and Dagger this issue, then immediately makes them the most likable characters ever…then also immediately breaks your heart. All of Bendis’ skills as a storyteller and character creator are on display this issue as he updates Cloak and Dagger’s origins, turning them into some of the most sympathetic heroes ever. I feel for them. Heaven help Cloak and Dagger.
Bendis still writes a pretty good Spider-Man. But this is Cloak and Dagger’s issue, and we’re all the better for it.
Comic Rating: 4.5/5 – Very Good!
This issue is told almost exclusively in flashback, presenting the tragic origin of Cloak and Dagger. The origin is very well done, and in only a matter of pages, Bendis creates two very real, very amazing people. The actual superheroic origin is tied a little too awkwardly to the rest of the Ultimate Universe, but not in a distracting way. Bendis comes up with an acceptable way to give superpowers to Tandy Bowen and Ty Johnson. But seriously, the powers are only secondary. These two are most definitely people first, superheroes second, which I love. But it also makes the superhero scenes a little weird. This issue doesn’t contain the transition between the origin story and how the pair wound up fighting Bombshell outside a Chinese restaurant in Brooklyn, so there’s a bit of a disconnect between the issue’s two storylines.
Basically, I’m just not sure how Cloak and Dagger go from their tragic origin to trying to playing crimefighter. But I’m sure we’ll find out soon enough.
Miles barely appears in the issue, but he has some strong scenes as he continues to deny his responsibility as Spider-Man. Gwen Stacy gives him a piece of her mind, and both come off well in this issue. I think Bendis is doing an OK job building up Miles’ return as Spider-Man. Part of me is worried that he’ll waste it on someone as minor as Bombshell, but if Bendis somehow connects the tragedy of Cloak and Dagger into Miles’ return to heroism, he’ll have pulled off a masterstroke!
Join me after the jump for a full synopsis and more review!
The Brad Pitt School of Zombie Survival
Welcome to my World War Z review! I saw the movie on a whim Saturday night and enjoyed it. But I wasn’t planning to see it, so I also wasn’t planning to write a full review like I normally do. That being the case, I’ve decided to do something a little different. Instead of a typically thorough review of the film, I’m instead going to present ‘The Do’s and Don’t’s of World War Z’.
Otherwise known as ‘How to Survive at the Brad Pitt School of Zombie Survival’.
Don’t get bit!
Are zombies creeping all up in your neighborhood? Does a horde of violent, fast-moving undead threaten to bite you out of house and home? Is the entire world completely overrun by nasty ghouls with sharp, pointy teeth? Then you’ve come to the right place! Welcome to the Brad Pitt School of Zombie Survival! Here you will learn all of the necessary Do’s and Don’t’s of how to survive in a worldwide zombie apocalypse.
There will be SPOILERS! And zombies.
Hench-Sized Comic Book Reviews – 6/22/13
Age of Ultron is the worst Big Event Comic that Brian Michael Bendis has ever written. The man is a writing god when it comes to small comics – like Ultimate Spider-Man or his current X-Men series – but he just can’t handle Big Events. He can come up with some really neat ideas, but for some reason he just can’t execute them. I don’t know what it is. How did the man who created Miles Morales write Age of Ultron? Whatever. It’s over. Age of Ultron is done and it’s just as bad as the rest of the series. But now we all have Angela to look forward to…so…yay? I guess. Ugh.
Thankfully, the rest of the comics this week are all winners. From Avengers and New Avengers carrying through with some grand ideas to comics like Batwoman and Superior Spider-Man continuing their general greatness. Quality reads through and through. As for Comic Book of the Week, that distinction has to go to Wonder Woman #21, for Brian Azzarello for really amping up the action and excitement, and actually getting me to like a New God.
I never thought I’d live to see the day.
Comic Reviews: Age of Ultron #10, Avengers #14, Batman and Batgirl #21, Batwoman #21, Green Lantern: New Guardians #21, New Avengers #7, Superior Spider-Man #12, and Wonder Woman #21.
Review: X-Factor #258
Now this is more like it! The last issue of X-Factor was a weird, context-less adventure in Marrakesh that didn’t seem to really have anything to do with X-Factor as a comic or as a superhero team. This issue, starring Wolfsbane, is a proper farewell. It tells a great Wolfsbane story, deals with her personal fallout in the wake of the Hell on Earth War, and sets her up with a new, post-series life. This is exactly what I want to see from the final issues of X-Factor.
Rahne gets the help of Father John Maddox to say goodbye, and once again, an appearance by Multiple Man’s religious dupe makes for a good issue.
Comic Rating: 4/5 – Good.
It’s sad to see X-Factor go, but it’s fun to watch writer Peter David say his goodbyes. I didn’t like the last issue whatsoever. It wasn’t a goodbye. It wasn’t a character story. It had nothing to do with anything. But this is very different. Father Maddox is one of the best creations to come out of X-Factor, and he’s a great narrator. Nothing has been as good as Maddox’s first ever appearance, but there’s nothing wrong with that. Maddox works well as a foil for Wolfsbane, given their religious connection, and he gives her a suitable outlet to wrap up her story. This issue definitely feels like a goodbye to Wolfsbane. I knew PAD could pull it off.
This issue also definitely feels like a farewell to X-Factor. As Rahne’s story wrapped up, as she shared a final scene with Guido, it really felt like an end of everything. Rahne and Guido used to be best friends, but in this issue I could really see how far they’ve come – and how far they are from friends anymore. Guido killed her son, after all. Rahne gets a very nice send-off. There’s a flash of Wolfsbane action, a heartfelt reunion with an old love, and some counseling with Father Maddox.
In the end, Rahne gets a chance to see the light. I hope we all get that chance when X-Factor comes to an end this fall.





