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Review: X-Factor #261
The penultimate issue of X-Factor is upon us, and rather than do anything for the larger story, writer Peter David just says goodbye to Monet and Darwin. He checks two more characters off his list, leaving us, next issue, with presumably his fond farewell to Jamie Madrox. I’m comfortable with that. I’m saving all my tears for that issue. Because I’ve never been a particularly big fan of Monet, and especially not Darwin, so this issue doesn’t hold any special meaning for me. It’s a nice little comic, and maybe if the series weren’t over it would hold a little more weight. But for now, it’s just a quick, done-in-one goodbye to two random characters. And sadly, I think artist Neil Edwards is getting a little rushed. Hopefully he saved his best work for the final issue.
X-Factor #261 is a quaint little comic that says goodbye to Monet and Darwin by hooking them up for no apparent reason. See ya later, kiddos!
Comic Rating: 6/10 – Pretty Good.
Darwin has always been an odd character in X-Factor. PAD deserves a lot of credit for doing anything with the character, but his attempts to turn Darwin into a real boy were never nearly as successful as what he did with Layla Miller. Those two characters actually have a lot in common. Both were created by hot shot writers to serve as plot devices in their big stories – Layla was created by Brian Michael Bendis to be the dues ex machina in House of M, and Darwin was created by Ed Brubaker to be pointless in Deadly Genesis. And both were pretty much abandoned by their hot shot creators almost immediately, left for other writers to play around with. That PAD grabbed them both for X-Factor says a lot about him and the series.
But whereas PAD had some amazing ideas in store for Layla Miller (“I know things”), he kind of just plugged Darwin into X-Factor with no real purpose. The guy randomly joined up alongside Longshot in a Secret Invasion crossover, and stuck around for a split second before taking off to parts unknown for more than a year. That PAD ever bothered to bring Darwin back in the lead up to Hell on Earth War was strange enough, but to say goodbye like this? It just doesn’t really jibe in any meaningful way. PAD could never make Darwin work, and he still doesn’t succeed in this issue. Darwin is as bland and boring as anyone can be.
Monet fairs a little better. PAD has always had fun with the character, and her personal journey over the course of the series has been rocky and dramatic. I kind of wish he’d come up with something better for her to do in the end, and it’s kind of a shame that she got saddled with Darwin for her finale. The two characters have zero chemistry together…though that’s probably entirely Darwin’s fault.
Join me after the jump for a full synopsis and more review!

