A Totally Unbiased Review of Mimic and the X-Men #1
I love the Mimic. This obscure, Z-list superhero nobody is one of my all time favorite comic book characters. And for the first time in years, Marvel Comics is finally putting him back into the spotlight with the launching of the fantastically awesome Mimic and the X-Men #1 (also commonly known as X-Men: Legacy #264). I have no doubt that this issue flew off the shelves with all the popularity of chocolate chip pancakes at your local comic book store. We’re talking Watchmen levels of awesome here, folks. This issue, written by Christos Gage, flips the entire X-franchise on its head with what may be the most spectacular Mimic appearance ever.
Mimic and the X-Men #1
Move over Wolverine, there’s a new king X-Man in town. And his name is Mimic.
Comic rating: 10/5: Fantabularious!
Some of you may be thinking that I’ve gone off the hyperbolic crazy train. But you clearly haven’t read this issue. It’s like the chocolate devil’s food cake (with chocolate frosting) of comic books. It’s just so richly moist and flavorful, telling a compelling story featuring an underused superhero – who I just happen to think is a cross between James Bond, Elvis and Superman. Mimic is the kind of character that all the other characters wish they could be, with badass powers, a sweet new costume and appearances so rare that he’s like a fine diamond. If we ignore the rest of the clutter of this issue, like the plot and the other characters, we can see that Mimic was born to headline a comic book. The X-Men franchise is in for a revolution!
So join me, won’t you, for what is sure to be the highest selling comic book of the past decade.
April Fools Day Begins with Awesomeness
I love April Fools Day. And I love the Internet’s response to April Fools Day. All the silly little website changes, jokes and Rickrolls. Google is always good for a great joke, and so is the pop culture website IGN. This year they may have outdone themselves, enlisting the talents of Harry Partridge to make a Saturday morning cartoon version of Mass Effect. Perhaps you’ll remember Partridge’s Watchmen Saturday morning cartoon?
Anyway, enjoy the new video and Happy April Fools Day!
Narwhals 4 Hire
Here is another example of the random excellence of the Internet. Finally, the noble narwhal is getting its due.
Review: Avengers vs. X-Men #1
Apparently my local comic book shop didn’t get the memo that Avengers vs. X-Men #1 was being shipped a week early so that stores could prepare for any launch day events on the scheduled release date of April 4. So while this week most of the comic book reading world only got to buy the prologue, Avengers vs. X-Men #0, this plucky young blogger got his hands on the first issue of Marvel’s Big Summer Event Comic! I bought it legally, fair and square. There were no back room dealings or shady bribes. My comic shop put it out on the shelf and I bought it. I asked them if they knew about the embargo, but they didn’t seem to have a clue. Not my problem.
Avengers vs. X-Men #1
So how is issue #1? This event is being billed as one of the biggest in Marvel history, with their two signature teams duking it out in a no-holds barred fightfest of epic proportions! The very fate of the world may be at stake!
Avengers vs. X-Men #1 actually pretty good. The story is told rather straightforward, introducing us to the threat that’s going to put the two teams against each other, introducing the main characters and their stakes in the fight, and finally ending with the ‘optic blast heard ’round the world’. And the reasoning behind why the two teams would fight one another is actually handled quite well. I can definitely believe that these heroes would come to blows in this situation, which definitely adds to the credibility of such a Big Event.
Comic rating: 4/5: Good.
On a personal level, this issue didn’t grab me, and the overall plot does nothing for me. The story is focused around the character of Hope Summers, who I’ve just never cared for. And considering how quickly her solo series, Generation Hope, was cancelled, I doubt I’m the only one. So to have such a Big Event riding on Hope is a misstep, in my opinion. But Marvel, and scripter Brian Michael Bendis, wisely leave the fisticuffs to Captain America and Cyclops, the leaders of the two teams. The conversation between the two of them at the end of the issue is brimming with ego and tension, and it works perfectly to kick off this epic battle. I’m definitely on board for this whole series now.
The only problems with the issue, in my opinion, are the art and the lack of any big badass moments. Artist John Romita Jr. is a god among comic artists, one of my all-time favorites. But his work in this issue comes off as sloppy and rushed. Characters who should be big and imposing are instead lumpy and hastily drawn. Faces are sometimes quite ugly. This is far from his best work. And as for big moments, there simply aren’t any. At least none we haven’t seen before. In order to get the reader up to speed on the plot, there doesn’t appear to be time for any edge of your seat excitement.
Hopefully that will change with future issues. Join me after the jump for a full synopsis with spoilers and deeper analysis.
In the Game of Ponies, You Love or You Tolerate
I don’t know why this mash-up of My Little Ponies with the Game of Thrones opening music exists, it just does. That’s how the Internet works. Game of Thrones returns this Sunday, but sadly I don’t want it episode per episode on TV. I’ll wait sometime down the line to see season 2. For now though, enjoy this epic piece by Pony Parodys.
