What should have been a vicious fight between the Punisher and lame-o villain Vulture is instead a murky, hard-to-follow shadowfest that I guess ends the only way it could. Sadly, that the entire issue is turned over to this fight scene is a shame because it’s a real dip in quality from what we’ve been reading so far, both in terms of art and storytelling. As I said in my last review, the new Vulture is just a stupid, uninteresting character and nowhere near the Punisher’s weight class.

Punisher #3

But I suppose this issue takes care of that problem – Punisher kills the Vulture!

I sort of predicted that in my last review. If you’re going to throw the Punisher up against real Marvel Universe villains, he’s going to want to kill them. So of course Marvel and writer Greg Rucka threw him a completely disposable nobody to dispatch. Introduced as a Spider-Man villain, the Vulture is so lame he ends up getting jobbed down to the Punisher. Take that, loser! Maybe be more interesting next time.

So yeah, this issue can be summed up in three words: Punisher vs. Vulture. The other ongoing storylines are only given the tiniest of pushes, though not much happens in any of them. We see detectives Bolt and Clemons, but they don’t do much of anything. The Bride has a few scenes that are clearly leading to something bigger, but we’re definitely not there yet.

There are two truly sucky issues with the fight scene: the art is too dark and murky to really follow, and neither of the two combatants say anything. For the third issue in a row, writer Rucka keeps the Punisher silent (except for the final page). He’s just a quiet killing machine. The Vulture, meanwhile, speaks in incomprehensible squawks. So the fight is basically just the Punisher silently stabbing the Vulture while the Vulture makes random squawks about who knows what.

Stabby McStabberson likes to stab

That’s practically the entire fight right there in that picture. The Vulture can fly, so right at the very beginning he picks up the Punisher in his talons from the warehouse and carries him off. The redhead villainous tells her men not to shoot the Vulture, and then they disappear for the rest of the issue. So the fight between the Punisher and the Vulture is in the air, but there’s nothing truly exciting about the fight. Basically it all takes place as an extended grapple, with Punisher getting the upper hand as he clings to the Vulture high above the streets of New York. Presumably he takes his knife and starts stabbing, but as I said, the art is just too dark and murky to really make anything out. It’s just ugly-looking stab followed by the Vulture spewing yellowish spit from his mandibles as he gets stabbed some more.

It’s not an interesting fight. For all the menace that the Vulture was supposed to inspire, he goes down fairly easily. Sure there’s some red thrown into the pictures to indicate blood, but it mostly looks like the Punisher got cut by accident. There’s no fight. There’s just stabbing until the Vulture goes down.

Or DOWWWWWWWNNNNNNN!! If you'd prefer

The issue ends with the Punisher stabbing Vulture through the head – up through the underside of his jaw, no less. But that means the Punisher is falling from their aerial fight! He lands in a dumpster and seems to get through it OK, though he’s all bloody and beat up. Still, he survives the fall without too much of a hassle. Then he utters the only words he’s said in three issues.

“You…help me.”

Who’s he talking to? Why it’s Norah Winters, the reporter who appeared last issue! She was alerted to the aerial fight and then followed Punisher in a cab, eventually making it to his crash site. We’re led to believe that maybe Bolt and Clemons are going to get there first, but nope, it’s Norah. She straight up asks how he was able to survive the fall, so perhaps there’s more to his fall than we realize. Rucka and artist Marco Checchetto also try to get cinematic with the fall. The panels of Punisher falling into the dumpster are intercut with panels of all the other characters. So we’re flashing from one scene to another. If this were a movie, there’d be some cool dramatic music playing. You can sort of see it playing in your head.

Anyway, as for the other characters in the book, detectives Bolt and Clemons are one step behind the Punisher and the bad guys. They arrive at the warehouse, but they’re too late because the Punisher and Vulture are gone. They find Liam’s body with his head blown off. Bolt thinks the Punisher did it, but Clemons disagrees and has already deduced that someone who can fly has already left the scene.  Norah Winters takes Clemons’ advice and goes to the salon to get her blonde hair cut short. But she leaves in the middle of it, with her hair only half cut, because of the fight going on. Her appearance at the end seems to indicate a Punisher/Norah team-up for issue #4.

Sounds like a hoot.

The Bride is told by the doctors that she’ll have a long rehab process, but at the end of the issue she defiantly gets out of bed and tries to walk. That’s the part that’s intercut with the Punisher falling. The Bride gets a few steps before collapsing to her knees.

It may be a small bit of storytelling, but I think it’s clear that the Bride is supposed to be similar to the Punisher. Her family was gunned down as well, and now it’s just her and her military training. She’s clearly going to tough it through her rehab and get back on her feet, seeking vengeance. Previous Punisher writer Garth Ennis wrote a similar story, about a mob princess who lost everything and decided to become like the Punisher. In the end, neither she nor the police detective investigating that story had what it took to truly sink to Frank Castle’s dark, depressing level. I suppose we’ll see what happens with the Bride.

Perhaps the Punisher will get a sidekick?