Category Archives: Comics

I’m Going to Comic-Con!!

New York City, here I come! I hope. I still need to buy the 3-day tickets and there’s a chance that something could go wrong. But as it stands right now, my boss has approved my diabolical scheme to use a personal day to super-extend my vacation. The personal day will link with a day off, so I’ll have all three days off for the New York City Comic Book Convention!

The convention will be Oct. 14, 15 and 16.

I went last year and it was fun, but I realized afterwards that I didn’t do everything I probably should have done. I didn’t attend any panels, and mostly just wandered around people-watching. There’s so much more to do! This year will be better. The plan is to go with my brother, since he’s never been to a Comic-Con before and now he lives in Connecticut, near New York City. So I’ll drive down, visit with him and together we’ll hop over to the city and the convention. A few of my other convention-going friends may even join us!

Suffice to say, it’ll be a pretty cool October. Look for more pictures and stories from the Con in October!

I probably won’t go in costume…unless my brother and I can come up with something easy and inexpensive to make..

6 Greatest Henchmen of All Time

It’s about time this blog got around to more actual henchmen fun! I named my blog Henchman-4-Hire for a reason, to revel in the world of minions and middle class super-villainy. These are the sorts of characters I enjoy, much more so than the actual bad guys. The henchmen are just more fun! They do all the dirty work. They get to be where the action is, while their bosses sit up and wait for the final act. Sometimes it’s the henchmen who actually get to develop as characters, because like the hero, the villain is rather static. And sometimes the henchmen are just there as a warm-up act for the hero.

They die inglorious deaths. They never get the girl. Often they’re killed by their own bosses. But still they can become as beloved as the villains themselves.

This is a list of the 6 greatest henchmen in pop culture. From comics to movies to TV, who are the best minions and right-hand men and women? Some of the choices are just my opinion, and just on here for fun. Others have taken the role of henchperson and made something special out of it. There have been tons of henchmen over the years, but these 6, I think, are some of the most memorable. They’ve really made a mark on pop culture.

For the purposes of this list, we’ll focus on individuals rather than entire groups of henchmen. And I’m only choosing characters who are clearly subservient to a lead villain. Sure, Darth Vader followed the Emperor, but Vader was first and foremost the lead villain (or hero of the Star Wars saga, give or take a trilogy).

Now let’s get started!

Honorable mention: Bob, Agent of HYDRA

Bob, Agent of HYDRA

I wanted to put Bob on this list, but in the end, he simply hasn’t made any sort of mark on pop culture. Besides, he’s become more of a sidekick than a henchman. The reason I’m putting him as an honorable mention is to reveal, once and for all, the identity of the grinning, thumbs-upping image on the front page of this blog. It’s Bob, Agent of HYDRA! Someday I hope to commission an original and unique Henchman for my site, but for now, Bob is filling in.

Bob became an agent of the evil terrorist organization HYDRA because he was looking for a steady job and wanted the dental plan. Eventually he ran into the merc with a mouth, Deadpool, and was coerced into helping Deadpool flee the HYDRA compound. From then on, Bob became Deadpool’s sidekick and was no longer really one of the nameless, faceless henchmen of HYDRA.

Still, I highly salute the idea of taking one of those nameless, faceless henchmen and turning him into an actual character! In fact, that idea pops up later on this list…

6. Bebop and Rocksteady

Large and in charge

The classic blundering oaf henchmen, Bebop and Rocksteady are the minions of the Shredder and the sworn enemies of the Teenage Mutant Ninja Turtles. A mutant warthog and rhino, they were more a comedy duo than an actual menace. But that wasn’t always the case. In the first few episodes of the Ninja Turtles cartoon, these two were actually kind of badass. They were bigger and stronger than the turtles, and they used machine guns. Sure, guns weren’t honorable, but who needs honor? Point was they were an actual threat. But the Turtles kicked their butts easily. Still, Bebop and Rocksteady were so much fun that they stuck around. They could be quite funny.

Their designs are so wonderfully unique. Whereas the Turtles were simple and clean, with matching colored masks and bands, Bebop and Rocksteady couldn’t be more different. Their bodies were oddly shaped and grotesque, covered in hair and warts. Their voices were almost sickly in their awesomeness. They even sounded stupid. And they wore actual clothes. The two had more modesty than the mostly naked  Turtles, it seems. Bebop is the 80s punk rocker, and Rocksteady the militaristic gun-nut. Though I can’ t remember if either personality was explored beyond just the look. Maybe Bebop had a boombox with him at some point.

The two were great henchmen because they were loyal and could be put to good use with menial labor. They were great and memorable characters because they were funny, uniquely designed and there was always the far-reaching possibility that they might actually win this time.  Heck, they found the Turtles’ secret sewer lair that one time. That’s gotta count for something.

5. Muttley

HeeHeeHee

Everybody loves Muttley! Or at least his laugh. Hopefully I’m not dating myself too badly for all the youngsters out there who read my blog, but Muttley was the henchman of Dick Dastardly, creating a classic Hanna-Barbera villain pair. They first appeared in as the villains in Wacky Races in 1968, and went on to star in their own spin-off: Dastardly and Muttley in their Flying Machines. They were World War I Axis pilots trying to kill an Allied carrier pigeon. They chased that pigeon just like Wile E. Coyote chased the Roadrunner, with wacky planes and hijinks. Sort of like how all old cartoons involved chasing to some variety. And it had a great theme song!

Muttley is a great henchman because of his laugh. Everybody remembers that laugh. He couldn’t talk, not even in typical old cartoony doggie speak, but he was nonetheless anthropomorphic. Essentially a little hairy human. It was that laugh, that snicker, that makes him memorable. Uniquely his own and wickedly fun. Definitely a bad guy’s laugh. He also grumbled, usually at Dastardly’s expense. As loyal as Muttley was, he still found it hilarious when Dick failed to catch that pigeon.

In Wacky Races, the pair drove the Mean Machine. It was a purple death rocket-car, with appropriately sinister-looking bat wing spoilers. I can’t remember if they ever won any of the races or not. Surely they must have gotten on big W.

4. Oddjob

Fear the hat

Flying bowler hats! Movie henchmen don’t get any more menacing or memorable than Oddjob from James Bond’s Goldfinger. Voiceless, ruthless and more than a match for Bond in hand-to-hand fighting, Oddjob was the villainous Goldfinger’s go-to guy for all that bad guy stuff. He knocked out Bond and killed that one chick by covering her skin with gold paint. Now that’s a badass and stylish way to kill somebody. It’s not often that fiendish death-traps actually work. Oddjob is the poster boy for menacing right-hand-man. He was mute (except for a few grunts), did as he was told and actually posed a challenge to Bond – and we’re talking Connery’s Bond.

And if we’re talking about stylish ways to kill somebody, it doesn’t get cooler than a flying, deadly bowler hat. Sure he’s a good fighter and stood up to the worst that Bond could throw at him, but the man knows classy. A deadly bowler hat is both stylish and memorable. Oddjob made one appearance in one film, but that bowler hat has survived through the ages. It’s been parodied in everything from Austin Powers to Chip and Dale’s Rescue Rangers. They even tested his hat-throwing style on Mythbusters! The James Bond series gave the cinema world its best henchmen, and Oddjob stands above them all as one badass mofo.

3. Starcream

He turns into a jet!

Starscream may have been Megatron’s right-hand-bot in the original Transformers cartoon, but he’s more famous for always trying to overthrow his boss and take his job. He’s sycophantic only when it suits him, and power hungry the rest of the time. Those qualities were so memorable from the original cartoon that Starscream was one of the few Decepticons in the modern Transformers movies who actually got a name and made return appearances. I think we can all agree that Michael Bay didn’t really care too much about the personalities of the Transformer characters in his movies, let alone how they connected with the original cartoon. But Starscream is so well known in his role as henchman that he’s one of the few Transformers to maintain his own familiar personality. Now that’s staying power.

Starscream has had a number of different versions over the years since Transformers keeps getting rebooted in cartoon after cartoon. But all of his versions usually share the desire to usurp Megatron and become leader of the Decepticons. Starscream believes more in trickery and guile than brute force, and he feels he is vastly superior to Megatron. Still, he’s usually in the subservient role. Even sarcastically sometimes, since he rarely hides his desire to take over. But Megatron knows not to fear Starscream, since Starscream will always toe the line – at least until he is 100% sure that it’s his moment. That’s happened a few times over the years, for a story or two, but most of the time Starscream is the lead henchman.

2. Henchmen #21 and #24

Skinny Henchman #24 and tubby Henchman #21

Henchman #21, and to a lesser extent his pal #24, have raised the role of henching to an art form. Not only are they the inspiration for this site’s name, but I’ve actually cosplayed as Henchman #21 at a few comic book conventions. They are hilarious. The Henchmen are supporting characters in the cartoon The Venture Bros., a modern day parody/satire of the old Johnny Quest adventure show. The lead villain on The Venture Bros. is the Monarch, and he has a whole army of butterfy-themed henchmen to carry out his nefarious plans. Just like Bond villains have whole armies of nameless, faceless henchmen (also like HYDRA), the Monarch has his own. Henchmen #21 and #24 started out as just two of many, guys who treat ‘henching’ as something of a 9 to 5 job. That’s where the humor lies.

Check out this brilliant scene of what it’s like to get ready for work.

They’re schlubs whose day job is to dress up like butterfly-men and do their master’s dirty work. One of the humorous aspects of villainy in The Venture Bros. is that there is a rulebook and a supervising agency. There are rules for ‘henching’, rules that must be followed. The two guys have to be loyal to their leader, know what he wants them to do before he does and carry out his orders without question. But they also complain about their uncomfortable costumes, the low pay and the fact that they get beat up by the good guys every time. It’s a brilliantly hilarious satire of what it might really be like to work as one of these super-villain’s henchmen.

Season Three's new and improved Henchman #21

And what’s great about these characters is that they’re not being made fun of on the show. Yes they are comedic characters who have silly lives, but the show’s creators treat them with a lot of respect. They know, to some extent, that what they’re doing is silly. But they embrace it whole-heartedly with the love of a true geek. Henchmen 21 and 24 are fully-rounded characters, with hopes, dreams, fears and everything else one might need in life. And when #24 unceremoniously leaves the show at the end of Season Two, #21 has a real emotional reaction. He buffs up and becomes the badass henchman in that picture I posted. They may just be part of the nameless, faceless crowd, but Henchmen 21 and 24 are treated like real people, and the show is more hilarious for that.

The two may not be very well known (though Venture Bros. popularity is growing), but for their contributions to the world of henchmen they deserve the second spot.

While the fanboy in me would like to give them the No. 1 slot, the real choice is by far the greatest henchperson of all time!

1. Harley Quinn

Bang! Bang! My baby shot me down...

Our own Miss Harley Quinn. The Lady in Red and Black. The single greatest henchperson ever. Just look at that smile, those colors; remember that voice that was so squeaky and yet so awesome at the same time. Harley Quinn is a model that all henchmen should aspire too. Because unlike most other henchmen and women out there – and the reason why she is No. 1 – Harley Quinn has actually equaled, if not surpassed, the popularity of her boss. So much so that in both comics and cartoons, Harley Quinn has a life and stories all her own. She has become a solid, well-rounded character completely separate from her role as henchwoman, but she will forever be known as the Joker’s girl.

Harley Quinn made her debut in an episode of Batman: The Animated Series in the mid-90s. She was created for the show to be the Joker’s henchgirl. Everybody knows the Joker. The Dark Knight is one of the highest grossing movies of all time, and Heath Ledger won that post-humous Oscar for the role. Well the Joker was a big villain in Batman: The Animated Series, and writer Paul Dini needed someone to help Joker with a scheme. He got college pal Arleen Sorkin to do the voice, and gave Harley some of Sorkin’s character traits. The costume and name are, of course, taken from the old timey harlequin characters; which is a great touch, since she’s not just Joker Girl or something lame.

Like how Batman has Robin instead of just Batboy.

From that one appearance, Harley Quinn was a huge hit with the fans! She’s funny and fun, and Sorkin has such an amazing and unique voice for the character. Harley was the Joker’s long-suffering girlfriend. Joker treated her like crap, but she’s psychotically devoted to him like a lovesick puppy. It would be sad and tragic in real life, and sometimes it was in the cartoon too, but it’s mostly played for laughs. There was always a sense that maybe, just maybe, Harley wasn’t just a sycophantic freak. That she had her own personality just below the surface, one that didn’t like how the Joker treated her. That made her immensely sympathetic to the viewer. Still, episode after episode, she worked side-by-side with the Joker, doing his dirty work and often falling victim to some of his practical jokes. She was a great henchperson.

A match made in Hell

Harley became so popular with the fans that she eventually made the jump from the cartoon to the comics. First was’ Mad Love’, written and drawn by Dini and Bruce Timm, the lead designer/producer of the show. It told the tragic origin of how Dr. Harleen Quinzel was the Joker’s psychiatrist at Arkham Asylum, and how he played to her sympathies with fake stories of his childhood, eventually getting her to fall in love with him and help him escape. From then on she was hooked! ‘Mad Love’ was a huge success, and it wasn’t long before Harley appeared in the actual Batman comic books. She kept the same origin and costume, she just started appearing alongside the Joker as his henchgirl in the normal comics continuity. People loved her!

She even got her own ongoing comic book for awhile. It ran for 38 issues.

Harley was so popular that she was going to be one of the villains in the proposed fifth Batman movie from the mid-90s. Remember Batman Forever and Batman and Robin, those horrible bombs that killed the franchise? Well Hollywood was planning a fifth: Batman Triumphant. Harley was going to be one of the villains, re-written as the Joker’s daughter come back for revenge. But the incredibly negative reaction to Batman and Robin sunk Batman Triumphant before it ever went into production. We know Harley was going to be a villain because a script was written that would have teamed with her Scarecrow and possibly Man-Bat. She coulda been a star!

Instead, it was the cartoon episode ‘Harley and Ivy’ that really upped Harley’s profile.

A match made in fanboys' wet dreams

In the episode, Harley is kicked out of their lair by an angry Joker. Alone, Harley runs into fellow Bat-villain Poison Ivy and the two team-up in a Girl Power sort of crime spree. Poison Ivy was a well-established Bat-villain at the time, both in the cartoon and in the comics. But some genius at Batman: The Animated Series (Dini again, I believe) decided to team the two female characters up for an episode like Thelma & Louise. The pair were an immediate hit! Soon Harley and Ivy were teaming up in the comics, and their friendship became something unique among villains. They really were friends. They didn’t just stab each other in the back. Suddenly Harley had a life outside of the Joker. Soon, both in the cartoon and the comic, she’s going on solo adventures and openly opposing the Joker at times.

And that’s why Harley Quinn is the greatest henchperson of all time. Created as a one-off character for a single episode, she soon sky-rockets in popularity until she had her own life, her own friends and her own stories completely free of her original boss. Yet she was never a bad henchperson. She wasn’t trying to usurp the Joker. In fact, she still loves him in that weird, twisted way of theirs. So she will always be linked to the Joker, always be his right-hand-lady. But she’s more than earned her own spot as one of Batman’s most popular villains.

Of course, with popularity comes bastardization.

What’s that? A writer has created a unique and excitingly fun character, with an awesome costume and style? And the fanboys love her? Hey marketing executives, what else do we think fanboys love? By jove, you’re right! Fanboys are just perverted fat guys living in their parents’ basements who only buy comics to look at the sexy women. Quick, somebody completely alter the wonderful Harley Quinn so that she’s nothing more than a hideous pin-up doll! Those perverts will love her even more now!

CLOTHING DOES NOT WORK THAT WAY!!

So what do you think of my list? Did I truly pick the 6 Greatest Henchmen of All Time? Did I miss any of your favorites? Let me hear about it in the comments!

A Few Musings About New DC Stuff

The way the comics industry works is that solicitations for new comics come out about 2 or 3 months in advance, so that shopkeepers can order them. And with the Internet being the way it is, these solicitations are posted online for everybody to read and comment upon. This usually involves the cover and a brief blurb about the story. I enjoy read these every month to look forward to upcoming comics.

Well with this new DC Comics reboot/rejiggering coming up, all their new monthly solicitations are a bit more exciting. What’s the new DC Universe going to be like? Who’s going to be in it? What sorts of adventures are the heroes going to face? Can DC sustain the excitement once we’re past the initial honeymoon phase?

At any rate, the covers for the November Batman books were released today and there were two that drew my attention.

The first is Red Hood and the Outlaws #3.

Specifically the Robin costume in the upper right corner

There’s no blurb to go along with this, only that it looks like the three heroes are trapped in some place that’s making them confront younger versions of themselves from their past. I don’t know if that’s really the case, but I hope it is, because the past Jason Todd/Robin costume looks bleepin’ awesome! It’s a beautiful combination of the original Tim Drake and Jason Todd costumes, updated with modern accessories and style. And the red mask is particularly awesome.

So I don’t know if that’s a realistic look into Jason Todd’s past, or if it’s some fever dream, but it is one awesome Robin costume.

Also interesting Robin news, according to Newsamara, DC has updated their Retailer FAQ to give a little explanation about Robin’s status in the new DCU. Basically, the idea behind the new DCU is that superheroes have only been around for about five years. So how has Batman gone through (at least) four Robins: Dick Grayson, Jason Todd, Tim Drake and now Damian Wayne?

Q: If super-heroes have only existed for five years, how has Batman gone through so many Robins?

A: Robin is an intern program -and a very intensive one at that.

That…kind of puts a bad taste in my mouth. It essentially shortens each Robin’s run down to about a year or so apiece. It also ruins the importance of the role of Robin, saying that Batman strips them off so quickly and moves on to the next one. It takes away from the majesty of Dick Grayson’s tenure as the Dark Knight’s first squire, and weakens the reason why Tim Drake became Robin.

I suppose, like everything else, I’ll have to wait and see how this actually plays out in the real comics. But I don’t like the idea on principle. There were always very specific reasons in the old continuity why Batman moved on to a new Robin. Hopefully those sort of remain, and it’s not just a thing Batman does every year.

The second cover of note is Batman: The Dark Knight #3.

Sultry and silly

We’re introduced to the new Batman villain: The White Rabbit. She’s clearly going for that sultry, sexy vibe, because geek fanboys apparently love buying comics with half-naked chicks in them. That’s probably not debatable (though it’s not one of my reasons for buying), so kudos to DC for grasping the basic concept that ‘sex sells’. The reason it’s drawn my attention is because Marvel Comics has an exact same super-villain named The White Rabbit. She dresses in almost the exact same way, with a sexy outfit, her hair flowing freely and big floppy bunny ears. I realize the concept of the ‘white rabbit’ is probably up for grabs, but somebody at some point just said they didn’t care about the similarities and went for it.

One has to wonder if she’ll be teamed up with The Mad Hatter, Tweedle Dum and Tweedle Dee, the Walrus, the Carpenter or any other of the Wonderland-themed villains that Batman faces.

Or maybe she’s just going to be all sexy and solo.

I’d also like to point out that Batman: The Dark Knight is basically the third solo Batman title that DC is producing this fall. All three have Bruce Wayne under the mask, as opposed to the past year, which has seen Dick Grayson. If we also add in Batman and Robin, that will be four general Batman comics coming out of DC. Isn’t that a little much!?

Review: Punisher #1

A new Punisher series hit the stands this week by fantastic crime-writer Greg Rucka, and it’s an awesome comic that’s light on actual Punisher, but great on atmosphere and future potential. The art is realistic and moody, the story is rich with wickedness and the Punisher comes off as the boogeyman – which is exactly the Punisher I want.

Punisher #1

Though nothing will ever compare to the glorious 11-volume Punisher masterpiece by Garth Ennis.

Still, let’s get to the new issue. We open with a military wedding (or the reception afterwards), with a happy couple and a beautiful bride. Then some violent men with guns interrupt the party, and those men have brought death and destruction with them. The wedding erupts in gunfire, shattered glass and chaos, and soon a lot of people are dead, including the groom. The bride is just hanging on, but only by a thread. The police arrive soon after to investigate.

And it’s here that we’re introduced to probably the true protagonists of this tale: NYPD detectives Walter Bolt and Oscar Clemons. The former is the young, white rookie detective, while the latter is the aged, wise black detective who just happens to look a lot like Morgan Freeman. This is an interesting tactic for the comic, to not focus on the Punisher. Frank Castle is by no means a shy guy. Plenty of comics in the past have had the Punisher at the forefront with internal monologue and everything. Perhaps we’ll still get that as the series continues, but for now we start with Bolt and Clemons. There is no internal monologue, just dialogue.

Clemons and Bolt

The two detectives do some cursory work at the crime scene and trade a little dialogue, establishing that Clemons may be getting too old for this sort of carnage, and that Bolt may still be more than a little wet behind the ears. We learn more than enough to get a handle of the two, so they will make suitable entry characters into the world of the Punisher. Because unlike other bright and colorful superheroes, Frank Castle, the Punisher, lives in the dark, grimy streets of New York City. He’s only a man (with a lot of guns), and he deals with bodies, cops, hard-boiled detectives and violent criminals. And that’s how the Punisher should be. I don’t want the Punisher fighting Doctor Doom or super-villains. He’s first and foremost a street-level vigilante, and that’s how I enjoy him.

A little background in case you’re not familiar with the Punisher. Frank Castle was a soldier in Vietnam who saw first hand the horrors of war, while receiving more than a little military and special ops training. When he returned stateside to his wife and two kids, he was looking forward to an idyllic family life – but that was not to be. While out on a picnic one day, his family was gunned down in a shootout between two rival mobs. Castle and his family had nothing to do with the mobsters, they were just collateral damage in the shootout. But Frank survived. From then on, he has used all of his military training and connections to wage a one-man-war on crime. He’s not out for revenge against those specific mobsters, he’s out to punish any and all criminals who break the law.

He’s the ghost story that mobsters tell their children.

Like this...He's almost spectral, but still human

Moving on, Det. Clemons is ready to interview some of the survivors, but Bolt gets a suspicious text message about a drop spot. We cut to a subway terminal, where a nervous Bolt is sitting on a bench next to an envelope. We catch a glimpse of a suspiciously shadowed man in a black trenchcoat passing through the crowd, and then we get a brief glimpse of an underground bunker armed to the teeth. That envelope contained crime scene photos of the wedding. Looks like Bolt is passing information on to the Punisher.

The next scene is at a bar, where violent men who invaded the wedding are kicking back with a celebratory drink. They’re having fun in the crowded bar. Then the lights go out. Then people start dying. The men pull out their own guns, but they dare not shoot because they’ll only hit each other. They group up, but it doesn’t help. More blood. More bodies. Like a wraith, the Punisher moves through the crowd taking them out one-by-one until only the leader is left. And that’s when we get our first real look at the Punisher in this comic.

Bad. Ass.

Punisher goes to shoot the leader in the head, but he’s out of bullets. So the Punisher lets him live and walks off. Ideally he has something else in mind for this guy.

And that’s it. That’s where the story ends. It’s tragically short. We do get a back-up feature told in the style of a police interrogation/interview. It’s a flashback to how Bolt met the Punisher back when he was a vice cop making drug busts. He and his undercover partner were at the scene of a drug deal, in some sort of courtyard. There were also kids around. Something at the bust goes belly up and it becomes obvious that the bullets are about to fly. Bolt, still young, is scared out of his mind. His partner is in the middle of it, as are the kids. What’s he going to do?

Bolt doesn’t have to decide. A gloved hand grabs his mouth while the other hand pulls the fire alarm to get the kids out. Then the bullets do start flying, and the Punisher steps out. He pushes Bolt back and draws his weapon, returning fire. The Punisher obliterates these drug dealers, killing them with military-like precision. Bolt’s partner dies, but all the bad guys are dead and the kids are safe. Back at the station, Bolt gets all the credit. It’s hard to tell if he’s willingly taking it, or if everyone just believes it did it all himself because the Punisher didn’t stick around to talk to the cops. Whatever happened, Bolt makes detective and is now in the pocket of the Punisher.

It’s a nice little back story setting up Bolt and the Punisher. Plus it’s much more of an action scene than the massacre in the bar. So we actually get to see the Punisher shooting and doing a damn good job of it. The Punisher is absolutely badass in this entire comic, and that’s important. A lot of superheroes seem to require a softer side, like Spider-Man. Part of the appeal of Spidey is that he’s a regular guy with foibles and problems that he has to balance alongside his superhero life. Not Frank Castle. The Punisher is at his absolute best when he doesn’t have any reservations, doesn’t have any doubt in himself or his mission. He his cold and hard and determined 100% of the way.

When Punisher isn’t the nitty, gritty hard-boiled vigilante, it can get kind of silly.

His classic costume is ludicrous. Even without the white booties.

So consider me sold on this new series. It’s got the perfect amounts of street-level violence and epic Punisher badassery, with a couple of cool detective characters to serve as foils. Greg Rucka is a fantastic author. I know him best from the DC series Gotham Central, which was about the Gotham City Police Department trying to do their jobs in a city where the criminals are homicidal clowns and Batman is expected to solve everything. That series is brilliant, and is a fine indicator that Rucka can handle the same level of characters in the Punisher. The art is by Marco Checchetto, who I’ve never heard of before. But it’s nicely realistic while also haunting. It should be a nice fit.

And one of these days I’ll tell you about the Garth Ennis run on the Punisher. It’s one of the most brilliant and amazing comic book sagas ever written, and I have all 11 volumes on my bookshelf. Here’s a taste of the Punisher’s dialogue and his badassness.

Click to enlarge

Requiem for a Comic Book; the End of Secret Six

A comic book died today.

Possibly the greatest comic book published by DC Comics in the past many years, and it has been cancelled with issue #36. Universally beloved, a critical darling and absolutely perfect page after page after page. There was no greater cast, no greater stories coming out of DC than those from the Secret Six.

Who?

These sons of bitches right here.

God speed, you sons of bitches

Catman, Deadshot, Scandal, Ragdoll, Bane, Jeannette, King Shark, Parademon, Cheshire, Black Alice and Harley Quinn for an issue or two. Yes, that’s a lot more than six, but they changed a few characters here and there. And again, you’re probably asking, ‘Who the Hell are these characters?’ It’s a reasonable question.

Read on, and I will tell you about these warrior poets, these losers among gods.

The concept of the Secret Six is very simple. Writer Gail Simone (who has written nearly every single issue this team has appeared in) created a super-villain team starring some of the lamest, most obscure characters in the DC Universe. She also made up a few, just for kicks. The first team was Catman, Deadshot, Scandal, Ragdoll, Cheshire and Parademon, and they debuted in the mini-series Villains United. That 6-issue story is the single greatest team story I have ever read. There is more heart, character and inter-team camaraderie between these six obscure nobodies than in the entire history of the Justice League, the Avengers, the Fantastic Four or anybody else. We’re talking Firefly levels of character dynamic.

And that is what makes the core of the Secret Six: heart.

The story begins with an Event Comic called Infinite Crisis, and Villains United was one of four separate mini-series that told a prologue to the main Event. Villains United focused on the massive super-villain army that Lex Luthor was building. He already had his power players, like Black Adam, Deathstroke and Talia al Ghul, and he was going about recruiting all the minor villains too. The bigger the army, the better.

Something like this...

The Secret Six are the people who turned Lex Luthor down. They all had their various reasons for doing so, with a strong focus on Catman in the beginning. Up until then, Catman had been a joke villain. Just look at his name. He’d become a punching bag for all the heroes out there. Well in Villains United we learn that Catman put the world behind him and retired to Africa, where he became a lean, mean fighting machine living among the lions on the African Savannah. And he just didn’t want to give that up for Lex Luthor.

Meanwhile, a mysterious figure named Mockingbird recruits these Six to help him disrupt Lex Luthor’s plans. He has leverage on all six of them to get them to work for him, so they do so grudgingly. Catman is the lion-like power fighter with the noble spirit and vicious dark side; Scandal is the daughter of the immortal Vandal Savage and is trying hard to make a name for herself; Ragdoll is the insane and comically loopy son of the original Ragdoll; Deadshot is the expert marksman with a nonchalant and aloof manner; Parademon is a refugee from the extradimensional nightmare planet Apokolips and Cheshire is one of the world’s deadliest assassins with her own secret agenda. The book was a long shot, and I can’t imagine anyone expected it to really work.

But the magic pen of Ms. Simone made it happen.

Famous for her work on Birds of Prey, especially with Barbara Gordon, Gail Simone is probably the most famous female writer in the comic book industry. She’s got a fantastic wit and a sense of character, and she brought it all to bear with the Secret Six. Villains United was an instant hit, though I didn’t read it until after it came out as a trade paperback. I’d heard great things on the Interwebs, so I gave it a look. I haven’t turned away since.

Going their way

Villains United made way for a second mini-series, and eventually an ongoing series launched in September 2008 to much applause. I’m serious when I say that Secret Six is universally beloved. I imagine every comic fan out there will agree that this comic, this cast of characters, is and always has been pure gold. The new series lost none of the heart but upped the adventures. Now they could have more and more stories, with new team members coming and going. Bane joined the team, breathing new life into the villain that was famous in the mid-90s for breaking Batman’s back but never did anything else. Jeanette, a new character, joined the team to add some feminine whiles and more characters came and went. The core was always Catman, Deadshot, Scandal and Ragdoll. They became a pseudo family, characters so obscure that they had no one else but came to cling to one another.

Like the various times they just went out clubbing with each other. Or when the Deadshot, Scandal and Ragdoll broke off from Bane and Jeanette to tag after Catman after he broke into a psychotic rage to track down the men who had kidnapped his infant son. And they were also at each others’ throats more often than not, but rarely was it vicious. It was just business. They were used to pointing knives at each other, they didn’t take it personally. The Secret Six existed in a world of gray mortality. Some were outright villains, some were heroic in nature and they were always sort of wondering where they fit in the great spectrum from superhero to super-villain.

The most recent stories had them going to Hell to both make peace with themselves and to recover some lost teammates.

Merchandising!

But all good things must come to an end. As I’ve written about before, DC is relaunching their entire comic book line in September. For some reason, they decided not to just bring Secret Six over into the relaunch. Hence it has been cancelled with today’s issue, #36. I don’t know what’s going to happen to most of the characters. Since Bane is going to be in The Dark Knight Returns, chances are he’s going to be getting a big push over the next year. Some of them, specifically Deadshot and King Shark, will be appearing in the new Suicide Squad book. I’ll be picking it up because it seems like it might be the spiritual successor of Secret Six.

We shall see.

Fortunately, Gail Simone will still be writing for DC, so hopefully someday she’ll be able to bring everyone back.

So how does the final issue stack up? It’s alright overall, with a couple of great moments. It’s the second half a 2-part story to finish off the series. The team recently returned from Hell, where Bane learned that his soul would go to Hell for his various crimes. However, Bane had always thought himself a noble and honorable person. He lived by a solid moral code.

Batman's back was not as solid

But now that he knows he is going to Hell no matter what he does, Bane has decided that he must truly break Batman to make his life mean anything. He has since learned about emotions and teamwork while with the Six, and he’s decided that breaking Batman’s back was just a physical set-back. To truly break the Batman, one must take out his heart, meaning his sidekicks and allies. So he recruits the Six to help him kill Red Robin, Batgirl, Commissioner Gordon and others. They go along with it because they support Bane.

The issue is littered with flashbacks, giving each character one last moment to shine. Catman and Deadshot have a chance to reflect on the friendship they just can’t acknowledge. Ragdoll just comes out and tells them to suck it up and admit they like hanging out together. Scandal gets one last romantic moment to be with the women she loves, and Jeanette gets to witness that brief happy ending. King Shark gets to eat a guy. Then they all come together for Bane’s plan, ready to support one another one last time.

However, they are double-crossed by the Penguin, who has called in enough favors that the Justice League, Teen Titans and dozens of other superheroes have converged on the Secret Six’s warehouse hideout. There’s a homeless family living in the abandoned warehouse, so the Six have not only a bargaining chip, but one last moral quandary for them to overcome. Is it OK to just kill those hostages in cold blood? Are they heroic and moral enough to let them go?

What about surrender? Batman, Superman and every other hero worth a damn has gathered against them. Why not just give up and go to prison? They’re bad guys, right? Why fight?

That's why. Honestly, this one panel is just so beautiful. It comes from the same scene in Villains United as that giant army of super-villains I posted up above. Catman, this former joke, reaches deep down within himself in this one breath of a moment and comes out fighting. Poetry, people.

So the Secret Six go out in a blaze of glory! They juice up on Bane’s Venom serum (which Bane has made a point to not use in the entirety of the run. It’s a drug, after all). They fight and hold their own against the superheroes, for a little bit at least. The Huntess gets to narrate the final fight, as all the heroes sort of recognize that this isn’t some ordinary super-villain brawl. The heroes recognize the depth, humanity and family that they’re fighting, but they don’t stop fighting. The Six are quickly defeated to be shipped off to whatever future awaits.

A final epilogue reveals that this was Bane’s plan all along. He needed to free himself from this family unit so that he could become hardcore again – but he couldn’t do it himself. He couldn’t just leave them. So he set up this plan to kill Batman’s allies, got everyone involved and he knew that the Penguin would betray them to the superheroes. He knew they would have to make a final stand.

They fought like warrior poets. They fought like Scotsmen. And they won their honor, if not their comic book.