Yearly Archives: 2011
Ollie Klublerschturf vs. The Nazis!
This is a hilarious little video adventure that my girlfriend Alyssa somehow found and shared with me. It’s worth watching all the way through. It’s produced by some pretty big names, so it’s not some smalltime production. It’s just a small, well-acted short that’s quite fun. Plus it’s about defeating Nazi Scum! So there’s that.
To Go Where Many Geeks Have Gone Before
As Philip J. Fry once said, “You now what movies average out to be really good? The first six Star Trek movies!” Turns out, all 11 Star Trek movies average out to be pretty good. I, and friend of the site Alyssa, spent the past week or so watching a marathon of all 11 Star Trek movies because I’ve never seen them before, or at least most of them. I’d specifically never seen the first six, featuring the original Star Trek cast with William Shatner, Leonard Nemoy and the rest of those lovable old folks. Those films are a milestone of geekery, and it was my sworn duty as a geek to watch.
And sure enough, they’re all mostly pretty good.

To boldly go...yadda, yadda, yadda
I have never seen a single episode of the original Star Trek TV show from the 1960s. It wasn’t on in syndication when I was growing up in the 80s, as far as I know. My father was a big fan of Star Trek: The Next Generation, but as a kid, the show was boring and too ‘grown up’ for me to appreciate. That’s the one with Patrick Stewart as Jean Luc Picard. Star Trek: TNG was like the Yankees’ game, the TV my dad wanted to watch while I begged him to change the channel to my show. However, I have seen a few smattering episodes of TNG, as well as Voyager.
But I have never been a Trekkie.
So I dove into these movies with the most basic background and understanding, and I found them to be pretty good – for the most part. The movies that involve the original show cast (Shatner, Nemoy et. al) were the best, whereas the movies that involve the TNG cast (Stewart et. al) were rather dull and just seemed like really long episodes of the show with better graphics. I also really like the franchise reboot from 2009 with Simon Pegg as Scotty and Chris Pine as the new Capt. James T. Kirk. But then I always prefer modern movies over the old stuff. Though I did learn that the 2009 reboot isn’t really like the classic movies at all.
Let’s dive in, shall we?
Star Trek is the story of the future, where humans have gone out into the galaxy, met a bunch of aliens and formed the United Federation of Planets. Their military branch is Starfleet, and the various Star Trek series tell the story of several different spaceships having different space adventures. The most famous of which is the Starship Enterprise, commanded by Capt. Kirk, with Mr. Spock, Bones, Chekov, Sulu, Uhura and Scotty. They’re an eclectic crew, and you really get a sense of familiarity when they bounce off one another in the first six movies. The actors had been working together for years, were growing old together, and it makes for a more united sort of team.
I was surprised by how strong the continuity was between the first 6 movies. They all bleed one right into the other, with the first part of each movie essentially picking up right where the previous one left off. Each one has its own plot, but it’s one big ongoing adventure overall. The crew is getting old, but not so old that they can’t still have adventures, punch a few klingons and rebel against Starfleet every now and then. The adventures, no matter how varied, focus on the humanity of the crew working together to overcome whatever they’re facing. These are character-based adventures, which is always the best way to handle this sort of sci-fi.
The best of the six is Star Trek IV: The Voyage Home.
Try to keep up with this plot: At the start of the film, Kirk and his crew are in exile on the planet Vulcan (Spock’s homeworld) because in the last film they went rogue from Starfleet, blew up the Enterprise and stole a klingon warship. They’ve decided to return to Earth to accept their punishment – but since they’re the only ones not on Earth, they’re the only ones not coming under attack by a mysterious space probe that’s trying to broadcast some sort of message to the ‘citizens’ of Earth. But the humans who are under attack don’t understand the message, they don’t speak the language.
Who does?
Humpback whales. But they have been extinct for more than 100 years!
So Kirk and their stolen klingon warship decide to go back in time to the 1980s to kidnap some humpback whales from ancient Earth. The rest of the movie is a wacky fish-out-of-water tale of the futuristic crew members wandering around mid-80s San Francisco having wacky adventures! But as silly as it all sounds, it’s quite enjoyable. The actors, and therefore the characters, are having fun, and it’s the most human of all the space adventures. Plus the plot is gloriously insane! So we get three space adventures of this crew to get to know them, then they give us a delightful adventure in a familiar alien world – our own.

Cruisin' the streets of San Fran
The firs three movies are alright, with the second one, Wrath of Kahn, being the standout. The first one, The Motion Picture, spends about an hour introducing the crew and then taking a looooong tour of the refurbished Enterprise. Then it takes another hour as the crew explores a gigantic mysterious spaceship with tons of different sections and zones. All the real action happens in the last 20 minutes or so, which includes a neat twist. But it’s all a good movie. Wrath of Kahn and the third one, Search for Spock, are more common action/adventure movies. So they’re pretty good.
The fifth movie, The Final Frontier, is not very good. It involves the crew being taken over by an enigmatic cult leader and then driven out beyond the edge of known space. That part is cool, but the rest is meh. The final movie, The Undiscovered Country, is better. Kirk and Bones get trapped on a prison planet while the Enterprise crew try to clear their name. Quite fun.
Though about halfway through these six movies, Capt. Kirk transforms into the hammy William Shatner we know in this day and age. He’s no longer the badass Starfleet Captain but is really just Shatner. The transition is not a good one.

Jolly good fun
Star Trek 7 is Generations, which combines the TNG crew with the old crew, and ends with Kirk and Picard teaming up to take on the crazy bad guy. This starts a four movie series (Generations, First Contact, Insurrection and Nemesis) which focuses on Picard and the TNG crew. These movies are not as good. The new crew doesn’t have the same camaraderie as the old crew. Generations and First Contact are OK, especially First Contact, which is about the crew again going back in time while simultaneously fighting the Borg. This time they’re helping the farmer from Babe to create the first warp-drive engines.
The latter two movies, Insurrection and Nemesis, are basically just longer episodes of the TV show. There’s nothing particularly big-screen about them. The plots aren’t interesting, the adventures aren’t especially exciting and it’s all just business as usual. So boring. And no wonder it led to the reboot.
In 2009, new filmmakers came in and recast Capt. Kirk, Spock and the gang. They gave the movie all the modern attitude, special effects and lense flares that a movie can handle. I liked it when I first saw it, and I still do. But now that I’ve seen the first Star Trek movies with the original Kirk, I can see that the reboot is really just in names only. The familiar and comfortable camaraderie is gone in the new cast. The characters don’t have the same weight and importance as they used to. People like Sulu and Chekov are only around in the reboot movie because they were around back then.

They're fun, but not as fun as the original cast
And there is a lot more running. Everybody runs all the time in the reboot movie. There’s not a lot of that in the original Star Trek flicks.
So in the end, it was a fun marathon. It started out pretty great with a lot of fun adventures, then sagged towards the end and finally ended strong with the new reboot. I can’t say as how I’m now a converted Trekkie, nor have any interest in tracking down and watching the show. But I am definitely looking forward to more films from this new reboot crew. Perhaps they can recapture some of old magic of the old people.
Sweet Ass Robin Picture
In my ongoing effort to become THE source for Robin news on the Internet, here’s an early concept picture of Robin from the upcoming Batman: Arkham City game. Some other website found it, and I’m borrowing it from them to show all of you. I still like the look for the game, and I’d love this color scheme. Thanks comicbookmovie.com!

I'm digging the colors.
Meanwhile, Senior Concept Artist Kan Mutfic had this to say somewhere on the Interwebs:
“We wanted to create a Robin that players would identify as a contemporary character and move away from the traditional “Boy Wonder” image that most people know. Our vision of Robin is the one of a troubled young individual that is calm and introverted at times but very dangerous and aggressive if provoked. The shaved head is inspired by cage fighters, because we thought that Robin might be doing that in his spare time to keep him on his toes. Still, we kept all the classic trademarks of Robin’s appearance, such as the red and yellow colors of his outfit, the cape and the mask.
We really hope that people will discover our Robin as one of their new favorite characters in the Batman universe. He is back and he means business.”
All of that sounds pretty badass to me! I can’t wait for Robin!
Are the Transformers naturally evil?
Not that continuity and common sense matter all that much in the Transformers movie franchise, but there’s one issue that’s been bothering me since the first film. Are Transformers naturally evil? And are Optimus Prime and his team the outcasts fighting against the true nature of Transformers?
I base my theory on one very specific factor from the first film: the All Spark, and how it brings machines to life. The All Spark is the giant (and then later tiny) cube that everybody’s fighting over in the end.
According to Optimus, the All Spark “holds the power to create worlds and fill them with life. That is how our race was born.”
They show the All Spark creating life in the first movie, so I think it’s safe to assume that the All Spark gave life to the robots on Cybertron and that’s how their civilization was born. Then the All Spark went into hiding on Earth, and the Decepticons are trying to find it and use it to turn all of Earth’s technology into an evil army. Fair enough.
My problem is in what happens when the All Spark creates life. Remember this guy:

Crazy Nokia Phone!
The humans have managed to harness the power of the All Spark and they use it to turn small machines into Transformers in the little box. When this guy is created, he immediately tries going on a killing spree. He’s evil and monstrous and starts attacking everybody! But why? Why does the All Spark turn the machine evil?
It happens again at the end of the movie when the All Spark brings life to a steering wheel, an X-Box 360 and a Mountain Dew Machine.

I love this guy!
Every machine that the All Spark turns into a Transformer is automatically evil and attacking people. So that begs the question of why? The Decepticons never get their hands on the All Spark, they never have a chance to corrupt it or anything. Yet it’s automatic function is to turn machines evil.
And then in Revenge of the Fallen and Dark of the Moon, we learn that the Decepticons have an overwhelming force. The Autobots have a handful of soldiers, never more than a dozen. But the Decepticons have hundreds of robots and warriors, some who have been on Earth for a long time and some who are buried on the moon waiting for…something. That part wasn’t clear. But Jetfire from the second film is really old; he’s a former Decepticon who has been on Earth so long that he was put in the Smithsonian.
So while Optimus and most of his team are still out in the cosmos, the Decepticons have been on Earth for decades!
The Decepticons have a much larger army, have been around on Earth for much longer than the Autobots and the All Spark – the relic that gave life to the Transformers – automatically turns machines evil.
All rather suspicious, I’d say.
Explodey Transformers are explodey. With explosions.
They rock and sock! They rock and sock and rock! Rock! Rock! Rock! Sock! Sock! Sock! They’re Transformers 3: Dark of the Moon! And man do they ever inhabit the spirit of Rock’em Sock’em Robots! This movie is one massive ACTION GIANORAMA! It fulfills the action quotient for the entire summer! So to sum up: Transformers 3 is a pretty damn good action flick.
But the movie is senselessly chaotic, and with such odd pacing and side characters, it fails to become more than just a spectacle. Some spoilers to follow.

He will blow your freakin' head off, man!
As I’ve said so many times before, this movie is all action. And it’s good action too. If all you want is mindless explosions and running and dirty protagonists and smashing and KABLAM-Os, then this movie is perfect for you. Just like the first two Transformers movies were. The entire last hour of the movie has got to be the biggest action set piece I’ve ever seen! And it’s relatively exciting. There are even a few really good twists that keep the story moving along. Transformers: Dark of the Moon is a fine movie to see on the big screen.
But it’s not glorious cinema. There’s no deeper level on which to appreciate Transformers 3. It is what it is and that’s all that it is, and needs to be. It’ll make hundreds of millions of dollars and it will entertain hundreds of millions of people. There’s nothing wrong with that. It definitely improves on the mindless insanity of Transformers 2, but it doesn’t live up to the crisp, controlled excitement of Transformers 1. So it could be better, but what more were you hoping for?
Personally, I was hoping for a better handling of the titular characters. Once again the biggest flaw in this franchise is how utterly wasted the Transformers are, both good guys and bad guys.
The Autobots and Decepticons are at war again for the fate of the planet Earth, with Sam Witwicky (Shia LaBeouf) and a few other familiar faces caught in the middle. The Autobots suddenly discover that there’s some important stuff related to Transformers history buried on the moon, and when they go to recover the stuff, it sets of the Decepticons’ latest attempt to take over the Earth. It all builds to an epic battle in Chicago (though it might as well be any major city) where the Autobots and their human allies try to stop the Decepticons’ ultimate weapon.
And all the while, Sam’s new girlfriend (because the old girlfriend got into an off-stage catfight with the director) is being held hostage in Chicago, so he cowboys up and goes in to rescue her.

I refuse to show that bimbo. So here's the firetruck who isn't Inferno!
The action is phenomenal, even if it can be mindless. There is one scene where the (human) good guys are climbing to the upper levels of a skyscraper until they find a good floor from which to fire their rocket. They hope to take out the bad guy’s main weapon with that rocket. For some reason, the Decepticons start trying to cut the skyscraper in half, which causes the upper floors to start tipping over. The good guys jump out a few windows, start sliding down the side of the skyscraper and then shoot out some lower windows so that they drop into a lower floor. That’s pretty awesome! Action scenes like that are why we go to the movies!
But after all of that, they didn’t even fire their rocket. And they wind up back on the ground a few minutes later. So that entire adventure in the skyscraper was for nothing! They didn’t even have a scene where they lament failing to fire their rocket. The movie just keeps going. And the whole reason they had to jump out of the windows was because Decepticons had found them on that floor…but there was a brief scene where the Decepticons were searching that floor while the good guys hid behind office furniture. Out of all the floors on that skyscraper, why did the Decepticons pick that one specifically if they didn’t already know the humans were there? And why search for them? Why not just blow up that floor?

Epic skyscraper sliding scene!
It’s all incredibly nonsensical. Scenes are strung together haphazardly with little logic. Characters show up out of nowhere and then disappear again immediately after, leaving you wondering where the hell they’ve been this entire time. At one point in siege of Chicago, Bumblebee comes out of nowhere (after being offscreen for 20+ minutes), saves Sam from falling, and then is gone a moment later. Sam says Bumblebee’s going to join the rest of the Autobots up river. Next we see him, all the Autobots have randomly been taken prisoner in the middle of the street. When did that happen?
And towards the beginning, after the Government thanks Sam for uncovering the secret of the stuff on the moon, he’s told to be a good boy and just go home. Instead he recruits John Turturro and together they investigate a Russian Cosmonaut plot about that same stuff on the moon. And a few of the extra Autobots show up to randomly help Sam and Turturro, even though the Government told Sam not to do this kind of thing. Sure enough, Sam once again unlocks all the important info. Why wasn’t the Government investigating the Cosmonauts? Why can Sam all of a sudden rally all of the troops out of nowhere once he’s figured out the big secret?
Maybe because Sam Witwicky is a boss!
Do you want to know why this movie will make hundreds of millions of dollars, while Green Lantern bombed? Because when Sam freakin’ Witwicky sees a problem, he gets in its face and solves the damn problem! He doesn’t sit around and whine about not having the right stuff. Obviously the action will play a big part in the big bucks, but this franchise has always handled their protagonist very well.

Sam the man
I have enjoyed Shia LaBeouf’s performances through all three movies, even if he can get incredibly manic and shouty at times. He’s relatable, he’s heroic and he can be pretty badass at times. He’s saved the world twice now, and at the beginning of this movie, he can’t even get a job. He feels powerless because he has no real purpose with the Government and the Autobots, and it’s true. He just so happened to be the guy who met Bumblebee in the first movie. He’s not a soldier and he’s not a CIA agent, so he has no purpose with the Autobot/Army alliance. Yet he desperately wants to matter. That’s good character motivation.LaBeouf has always portrayed Sam’s down-to-Earth nature very well. One of the best aspects of Transformers 1 was the human element.
Sam even gets to kill a Decepticon! And not in an accidental sort of way. He straight up confronts the giant robot head-on and obliterates it! Green Lantern didn’t do shit!
All of the human actors who return to this film are handled well. Turturro’s role has improved, he’s treated with a lot more respect. The two soldiers, the white one and the black one, continue to be badass and soldiery. The black one even gets some pretty stand out moments. Sam’s parents are given a much smaller role, and they’re OK, but they don’t get much to do. They had the only good scene in all of Transformers 2, but they sadly don’t follow up on that emotion.
(It was the one near the end in the desert when they want to naturally protect their son, but he’s got to save the world. Awesome scene in the midst of complete and total crap.)
All of the new human actors are pretty much crap characters. We get a new hardass Government rep who once again thinks she’s the boss of all the Transformers and all the characters, but is quickly made irrelevant. They trot out John Malkovich for a stupid little part in the beginning. The Asian guy from the Hangover movies, and who plays Chang on Community, has a small but incredibly obnoxious role. He played his schtick too far and the movie was better for his departing early and painfully. There’s also a human villain who serves his role well as a Decepticon-collaborator.
The new bimbo provides pretty eye candy and is a rather nice character, but she’s bland and shallow and doesn’t establish the sort of action babe connection that Megan Fox did. She’s the hottie that Sam Witwicky managed to hook up with before the movie starts, so their relationship just is – and that relationship is then turned into the driving force behind a lot of Sam’s actions.

The firetruck we should have had: Inferno! My childhood favorite.
But the absolute worst character in the movie is Alan Tudyk (Wash from Firefly) as Dutch, Turturro’s assistant. He’s the very definition of extraneous and ridiculous. He starts out as Tuturro’s effeminate publicist (Turturro wrote a book), then randomly becomes a repressed action fighter a la Jason Bourne, and then even later becomes a master hacker able to hack into cell phone cameras and bridge controls when the movie needs them. And he does so from the computers at the good guy’s base! It’s like the movie backed itself into a corner for no particular reason, then introduced a character who could simply get them out of that corner and then wrapped that all up into one new character. Ta da!
And to think, all of that time spent with Tudyk could have been spent getting to know the Transformers.
This is my #1 complaint about the Transformers movies. This franchise seems absolutely against fleshing out the Transformers as characters. In the first film, even though the main cast of Autobots get more lines and scenes, none of them have any meaningful interactions with any of the humans. They may as well have just been silent. It gets even worse in the second movie. None of the robots, with the slight exceptions of Optimus Prime and Bumblebee, have any real interesting or meaningful moments or dialogue with any of the humans whatsoever. And after the first movie, they don’t even get anything meaningful to say to each other!
The only character who develops any sort of connection with a human, Bumblebee, is given the specific disability of being mute! He has to speak through crappy radio broadcasts and movie quotes. For all three movies! WHY!?!? In Dark of the Moon, they have him piecing together full sentences using radio quotes, so he’s essentially talking. But he’s not really talking! It’s insane! But at least Bumblebee is suitably heroic.

Bumblebee is a character in this movie
Just like Optimus Prime is suitably badass. He kicks a lot of butt in this movie, moreso than the others combined. So that’s pretty cool. But Prime might as well be off in a world of his own. He barely says two words to any of the humans, even Sam. But he gets to kill bad guys and have a jetpack for some reason. So that’s pretty cool. The rest of the Transformers who were in the first movie reappear, Ironhide and Ratchet, but they have just as much to do in this movie as they did in the second movie. They’re lucky to even get lines. You can just sort of recognize Ratcher as the green one. And thankfully I think someone says “Ironhide” when he appears on screen, so you can sort of remember him. They don’t do anything. At the very least they had one-note personalities in Transformers 1, but they don’t even get that in this movie.
I don’t think any of the Transformers introduced in the second movie come back. Other than that little guy who humped Megan Fox’s leg. He also gets a sidekick and they have wacky tiny Transformer adventures. It’s like Michael Bay desperately wanted to keep the two-man comedy team from Transformers 2, but didn’t want to use the Twins that everybody said were racist. So he just used these two.
Some new Autoboats are introduced in this film, but you’ll barely get a name, if even that. There’s a silver car and a red car, and the red car has some cool blades and an accent. That’s all you know about them. They drive around in car mode a lot in the beginning, like you’re supposed to remember that ‘oh right, there’s a silver and a red car on the team now’. Then they barely appear in the background during the siege of Chicago scenes. There’s some old guy weapons-maker Transformer who gets a brief scene at the beginning and then a brief scene towards the end. No name. I’m not even sure what he transformed into. They also introduce a team called The Wreckers, who are stock cars. They don’t get individual names, but at least someone always says “The Wreckers” whenever they’re around so you know it’s them. One of the Wreckers is fat, so he’s easy to recognize. Oh hey look, it’s that tubby Transformer again. Good for him.
None of these new Transformers matter. They don’t do anything besides hang out in the background and maybe do some confusing action stuff. And other than Megatron and Starscream, the Decepticons don’t even get vehicle modes! They’re just generic robots. (Except for one brief scene of a Decepticon taking the form of a Waste Management garbage truck. I assume that was just for the product placement, since he never returns. And I wanted him to return, dammit!) I realize that the movie has to bow down to the car companies, but couldn’t some of the Transformers take on cool forms? A garbage truck is unique. A tank is cool. Why not a school bus Transformer? Or anything other than similar looking cars or SUVs?
For all the fun of the movie’s action scenes and human characters, once again Transformers utterly wastes its titular characters. They might as well just be the voiceless aliens from Independence Day or the tornado from Twister.
Except, of course, for the Mountain Dew Transformer from the end of the first film! I love that guy! We need more of him!

I want an entire comic book tie-in about him!
